| September/October 2003 |
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Sparkle in Peace
A company called LifeGem gives memorials for the dead a high-tech twist. In modern times we're squeamish about death. Less than a hundred years ago, people were posing with their late loved ones for posthumous portraits on the family sofa or saving hair samples to be pressed into scrapbooks or jewelry, objects known then as "memento mori." These days we ignore the Grim Reaper, perhaps hoping he will not notice us. This cultural avoidance of death led to a decidedly mixed reception for the latest incarnation of the memento mori a synthetic diamond created from the carbon residual of a cremated corpse. The company responsible, the Chicago-based International Research and Recovery Corporation, doing business as LifeGem, is gambling on the idea that in the future people will want more than heirlooms and a few old photos by which to remember their loved ones. According to LifeGem vice president of operations Dean VandenBiesen, demand for this unusual product has already far outpaced production. "The segment of the population most attracted to this concept is
put off by traditional burial," VandenBiesen says. "Modern funeral
and burial rites tend to abstract death, putting an unintended wedge between
the deceased and his or her survivors. Many people prefer something more
personal. They enjoyed a very close relationship with the person who died,
and they want something physical they can use to connect to their memory." That is not to say that the LifeGem concept was a hit from the get-go. There was a great deal of early resistance on the part of both the funeral and jewelry industries, not to mention the court of public opinion. "Silly season stories this year haven't been much sillier than the news that diamonds can literally be a person's best friend or husband, or cat," wrote a columnist in the United Kingdom-based newspaper The Guardian. "While this obviously brings new meaning to the concept of being wrapped around somebody's little finger, there are other possibilities. Why make a marriage proposal with your grandmother's old ring when you could pop the question with your grandmother in diamond form?" Online chat rooms filled with discussions about it. Some approved of the idea, saying that coming back as a bauble was more fitting than rotting in the ground or being cremated and preserved in an urn. Other reactions ranged from "yuck" to worries about losing a loved one down the drain. Such reluctance was understandable, VandenBiesen admits. Upon launching its controversial enterprise, LifeGem took the position that sometimes change needs a little nudge before it's accepted. The company didn't try to sell its concept to the jewelry and funeral trades. Instead, it brought its case directly to the consumer by way of a media blitz. The campaign's opening salvo was a front-page article in the Chicago Tribune published last year. This was followed by a swamp of coverage in similar publications around the world, a series of radio interviews, and a spate of appearances on high-profile network TV programs such as "The Tonight Show" and "Inside Edition." The tactic paid off in spades. According to VandenBiesen, the demand
for LifeGem's services soared to five times the amount estimated in the
company's business plan. LifeGem had banked on the notion that broad public
exposure would generate strong public demand. It also correctly assumed
that media attention would not be hard to get because the product for
sale was so unusual.
Replicating Nature "The process gets more complicated when you're working with remains that have not been subjected to LifeGem preservation," he continues. "When someone asks us to make a stone from someone who's been cremated a long time, we have to enrich the ashes with an additional carbon source. Ash, by definition, is carbonless. It can be as low in carbon content as 1.5 percent or as high as 10 percent. You need a carbon concentration of up to 50 percent to make a diamond, and ashes by themselves won't cut it. That's why some families decide on LifeGem in advance of a loved one's demise." If a person decides in advance to undergo the LifeGem process, the crematorium uses a special process to collect the carbon. The body is subjected to the same amount of heat as is employed in a conventional cremation, but the amount of oxygen used is reduced, yielding more carbon. The incinerator is turned off at a certain point in the process so that the technician can harvest the carbon. Only a miniscule amount is required. Once cremation is complete, the family gets the ashes and LifeGem gets the raw material from which the diamond will be produced. Without backlogs to slow things down, carbon becomes stone in 12 to 16 weeks. Using resources already at its disposal, the company can currently process between 500 and 1,000 bodies per year. "Carbon collection isn't the problem," VandenBiesen says. "The bottleneck is creating and growing the diamonds. A diamond press is a very costly, very heavy, very capital-intensive piece of industrial equipment. You're stuck with a lot of money-consuming maintenance, and some components become self-destructive because of the outrageous temperatures involved in the pressing process." To turn its wares into faceted stones, LifeGem employs a handful of diamond cutters around the world. The cutters use abrasive wheels that leave behind a very fine dust, which VandenBiesen claims is not recoverable. At the moment, LifeGem works with 250 funeral homes and crematoriums
in the United States, Canada, Australia, Europe, and South Africa. The
company sells its products exclusively through its network of funeral
industry partners. It's also in negotiation with industry people in China
and Japan, who hope to introduce the service to consumers in the Pacific
Rim. LifeGem assigns a 16-digit tracking number to finished products, which
is later laser-etched onto each diamond's girdle by the Gemological Institute
of America (GIA). The client also gets a report with a GIA serial number,
a description of the stone's color, and the fact that it was lab-produced.
Getting Past "Creepy" "Any object of this type is a grief recovery stimulus, a reminder of the person that has died," Friedman says. "We use such things to help us work out any unfinished business that still exists between us and that person. To properly do its job, the object should trigger the memories we need to accomplish that. It should not be viewed as a means for reaching emotional completion all by itself. LifeGem will succeed or fail to the extent that it performs the service for which it was conceived."
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